Brew & Ink Podcast – s6 ep3 – Hero is a Four Letter Word Ch. 3 – Progress

Brew & Ink Podcast – s6 ep3 – Hero is a Four Letter Word Ch. 3 – Progress

Artists love inspiration. And everyone gets inspired. How do we go from inspired to finished with projects and bringing quality expressions to others? Using the phrase “inspiration is for amateurs,” the Brew & Ink crew discuss the difference. Then author MB Mooney shares PROGRESS, chapter 3 of Hero is a Four Letter Word. Listen and vote on the next episode!

Listen here:

In this episode:

What is inspiration?

What is good and bad about inspiration?

What is the difference between being a creator and a consumer?

The Brew & Ink crew discuss “inspiration is for amateurs.”

What is the difference between an amateur and a professional?

MB Mooney shares PROGRESS, chapter 3 of Hero is a Four Letter Word.

Links:

www.brewandink.com

www.mbmooney.com

www.facebook.com/brewandink

www.instagram.com/brewandink

www.instagram.com/authormbmooney

Query Letters: Don’t Do This

Query Letters: Don’t Do This

Several don’t exist for query letters, and entire books have been dedicating to perfecting the art of querying agents and editors. That being said, as I am a literary agent writing this blog post, I have several examples of things that would fit in that don’t category that I see most often.

We’ve already covered a post on what to DO. Let’s dive into those DON’T categories.

DON’T: Be Demanding

I was in the querying trenches a few years back, I understand. You’ve sent hundreds of submissions, and you want:

  • Answers as to why people have turned you down
  • Referrals to other agents if this one will turn you down
  • And most important: an agent or a book deal

But you do have to keep in mind that we get literally thousands of submissions each year. If we provide any feedback or referrals, it’s on our own unpaid time.

Don’t ask for referrals or extensive feedback. The agent or editor will provide it if they see promise in your manuscript.

(You can put Ms. Bolinger if you want, but really make sure to research someone’s preferred pronouns before putting a Mr. or Ms. It’s often simpler just to do their name).

DON’T: Be Unrealistic

Who wouldn’t love for their book to be picked up by Netflix or Disney+. But we have to be realistic. Unless you have to have connections someone who already secured a Netflix deal for you don’t say, “This is going to be the next Netflix hit.”

Be realistic with social media numbers too. I may have 30,000 followers, but let me tell you, I did not have 30,000 of my followers buy my book when I released in June 2019. Talk about platform, but don’t say that that alone will get you sales.

It won’t.

DON’T: Be Rude

This should go without saying, but you’d be surprised at how poorly people take rejections. As someone who has been rejected literally hundreds (if not thousands at this point) of times, I know how to take a punch.

Don’t ask them to reconsider. Don’t say, “Well, J.K. Rowling got rejected XYZ times, and those publishers sure were sorry.” Don’t insult their agency, their position, or their publishing house.

Simply say, “Thank you for your time,” when they reject you. Believe me, you don’t want to burn bridges in this industry. And industry members do talk.

I have rejected people previously because I’ve heard from others that they were too hard to work with or badgered them constantly on social media for updates. While we’re at it …

DON’T: Pitch Them on Social Media

There is one exception: If they are participating in a Twitter Pitch Party. But even then, they require you to submit via email or Submittable if they like your pitch.

I have a rule of thumb (especially on LinkedIn). If I connect or friend someone and they message me a pitch, I immediately unconnected or unfriend them.

When you pitch someone on social media you not only invade their personal DMs, but you tell them that you only see them as someone you can get something from.

No one likes to feel used.

What other tips have you heard when it comes to queries? We’d love to hear them in the comments.

Resources

39 Queries that Worked | Writer’s Digest

Kids Lit | Writers Chat

Writing Queries like a Professional Resume Writer | Serious Writer Academy

Query with Confidence | Almost an Author

Query Letter to Submit a Novel to a Publisher | Almost an Author

Interbrews 26 – The Witcher Ep 1-4 SPOILER FILLED Review

Interbrews 26 – The Witcher Ep 1-4 SPOILER FILLED Review

Based on books and very popular video games, the Witcher was adapted into a TV show and hit Netflix running. It’s become one of the most streamed show ever, and Steven Faletti and MB Mooney give their writers’ perspective on the first four episodes.

LIsten here:

How did the Witcher series compare to the books?

How did the Witcher series compare to the video games?

Steven and Britt give their thoughts on the first four episodes.

What did they like?

What didn’t they like?

Britt talks about how the show utilizes “show don’t tell” well.

Links:

www.brewandink.com

www.mbmooney.com

www.facebook.com/brewandink

www.instagram.com/brewandink

www.instagram.com/authormbmooney

Word Counts for Each Genre

Word Counts for Each Genre

When submitting to a publisher or an agent, it’s vital that your proposal and manuscript indicate the proper word count for your genre.

There are factors involved in why certain genres have varying word counts, including the cost for printing and how long a reader’s attention can be captured.

While each publisher may have their own limits and standards, this list can get you started. There are more rules for word count within sub-genres, and certain publishers may want word counts outside of this. Be sure to double check before submitting.

Nonfiction

Nonfiction (general): 50k-60k

Subgenre: Self-Help

Self-Help: 40k-60k

Subgenre: Memoir/Biography

Memoir: 80k-100k

Biography: 80k-150k

Subgenre: Devotionals

365 days: 250 words

52 weeks: 50k-55k

40 days: 9k-12k

Fiction

Novella: 20k–50k

Short Stories: 1000–10k. Sweet Spot: 3k–8k

Flash Fiction: 100 to 700 words

Historical: 100k–120k. Sweet Spot: 100k

Literary / Commercial / Women’s: 80k–110k. Sweet Spot: 100k

Subgenre: Crime

Crime Fiction: 90k to 100k

Mysteries / Thrillers / Suspense: 70k–90k

Subgenre: Speculative

Paranormal: 75k–95k

Noir and historical – 80k–90k

Speculative: 75k–125k

Fantasy: 90k–120k. ­ Sweet Spot: 95k–100k

Horror: 80k–100k

Science Fiction: 90k–125k

Subgenre: Romance

Romance: 40k–100k

Regency Romance/Inspirational Romance – 40K+

Romantic Suspense/Paranormal Romance – 40k+

Mainstream romance novels – 70k–100k

Children’s

New Adult Fiction: 60k–85k

Young Adult Fiction (YA): 50k–100. Sweet Spot: 70k-90

Middle Grade: 25k–40k. Sweet Spot: 35k

Picture Books: 50 to 1000 words. Sweet spot: 400–750 words

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Brew & Ink Podcast – s5 ep10 – New Jinn Singularity Ch. 10

Brew & Ink Podcast – s5 ep10 – New Jinn Singularity Ch. 10

What does your space need to be when you’re creative? How important is it to be comfortable? Or is that bad? Britt Mooney and Steven Faletti discuss their writing spaces. Then MB Mooney shares NEW JINN, Singularity ch. 10. Listen and vote!

Listen here:

In this episode:

Why is a writing space important?

What does your writing space look like?

Is it important to be comfortable?

Is it more important to be uncomfortable?

What things make up your regular writing space?

Links:

www.brewandink.com

www.mbmooney.com

www.facebook.com/brewandink

www.instagram.com/brewandink

www.instagram.com/authormbmooney

Interbrews 20 – Spider Man Far From Home SPOILER FILLED Review

Interbrews 20 – Spider Man Far From Home SPOILER FILLED Review

Spider Man is back! Does whatever a spider can. Join MB Mooney and Steven Faletti as they review the latest Spider Man movie, Far From Home. What did they like or not like? What did they think of the writing? Also hear why they knew the Marvel/Sony issue would all work out. Warning! Spoiler Filled Episode!

Listen Here:

In this episode:

What was great about SpiderMan Far From Home?

What were some of the problems in the movie?

What did Britt and Steven think of the Sony/Marvel conflict?

Where is Marvel going next?

How was Far From Home great writing?

What could they have improved upon?

Links:

www.brewandink.com

www.mbmooney.com

www.facebook.com/brewandink

www.instagram.com/brewandink

www.instagram.com/authormbmooney