Fight scenes! We love them when they’re good. They bore, confuse, or annoy us when they’re not. What makes a great fight scene? Listen to this great conversation with Carla Cook Hoch, author of Fight Write, and the things we need to think about during a fight scene to make them authentic and engage the reader.
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In this episode:
How did Carla get involved with martial arts and self defense?
What is her background in writing?
What are some common ways writers get fight scenes wrong?
What are some examples of when a book or movie got fight scenes right?
What are some ways that writers can improve their fight scenes?
What makes fight scenes seem authentic?
What are some of the chapters in the book that deal with emotions and the mind?
Why are writing conferences so important to authors? Steven and Britt just got back from the Serious Writer one day bootcamp in Nashville, Tennessee at a publishing house, and we talk about the conference and the unique and convenient aspects of these one day conferences. Then author MB Mooney reads the last flash fiction of the season, The Truth of the Hunter, revisiting Dr. Wincek and Dr. Wolfe.
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In this episode:
Why are writing conferences important?
What kind of writing conferences are there?
What makes the Serious Writer conferences unique?
Why are both craft and platform important?
What were some of our favorite parts of the conference?
Creativity is inconvenient. When we get in the middle of a project and here comes a great new idea. What do we do with it? Make it a part of the current project or start a new one? Brew & Ink discuss where to stick our new ideas. Then Steven Faletti shares The Thief and the Gateway, a new flash fiction from Midnight Showing victim’s point of view. After that fun story, vote on the title for MB Mooney‘s flash fiction in two weeks.
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In this episode:
Creative people get new ideas. Why is that inconvenient?
Jumping the Shark! What does it mean? What are some series that have done and others that could have but didn’t? Listen to the discussion and then leave a comment of a series you think “jumped the shark.” Then hear author MB Mooney share a flash fiction from Dr. Deb Wincek’s point of view, titled, Primed for Duty. Vote on the next title in the comments!
Listen here:
In this episode:
What is Jumping the Shark? What does it mean? Where did it come from?
What are some examples of shows or series that “jumped the shark”?
What are some examples of shows that could have but didn’t?
Author MB Mooney reads the flash fiction Primed for Duty from Dr. Deb Wincek’s POV.
The movie event of the year. What we’ve all been waiting for. A culmination the revolutionary 22 movies and marketing that built up to this. Listen as Steven and Britt give a SPOILER FILLED review of Avengers: Endgame.
Why do most sequels stink? What makes a good sequel? The Brew & Ink Crew discuss sequels, the good and bad, and then author Steven Faletti reads The House Always Wins, a flash fiction that explores Henri Custeau a little more. Vote for the next title at www.brewandink.com.
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In this episode:
What makes a good sequel?
Why are so many sequels bad?
What are some of our favorite sequels?
Can a series have a bad sequel and come back with better movies/books?
