The One-Sheet Formula for a Writers Conference

The One-Sheet Formula for a Writers Conference

One-Sheets: Is it Worth Your Time? 

When I first heard that I had to take a “one-sheet” to a writers conference, I thought, “One sheet of what?” My book was still mostly an idea in my mind, but it forced me to think through my book from beginning to end.

What Does a One-Sheet Do?

The one-sheet’s primary purpose is as an introductory tool so an agent or editor can get an idea of who you are and what your book is about. Its other purpose is to distract the editor while you take a few deep breaths and wipe your sweaty palms down the leg of your pants.

Though it’s important to keep the one-sheet professional, it will not make or break you. The majority of the time, the editor will scan it and hand it back, so you don’t even need a lot of copies.

What to Include in a One-Sheet:

Contact Information

All you need is your name, email address, and website. For safety reasons, leave your address and phone number off. If you’re represented by an agent, include his or her contact information.

Headshot and Bio

Keep the headshot professional and small. You have a lot of information to include, and your headshot doesn’t need to take up half the space. The same goes for your bio. Include relevant detail and provide a call-to-action for people to check out your website or social media platform.

Book Title and Blurb

Think of this as a back cover copy or a short synopsis. You’ll need a great hook as well as details about how the book progresses.

Book Statistics

Include your approximate final word count (even if the work isn’t finished), genre, target audience, and how long it will take you to complete if it’s not done. If you have endorsements, include a couple here, as well. This gives the editor an idea of the type of book you’re pitching.

Relevant Photo

Your one-sheet should look beautiful. Make sure the image is relevant to your topic. My first one-sheet did not include a photo. It would have helped things tremendously. That said, keep the aesthetic of your one-sheet clean and don’t be afraid of white space or color.

“I would much rather you have a one-sheet (when pitching a project at a conference). So you have in front of you exactly what you want to pitch to me. And the pressure’s off. We can sit and talk . . . and you don’t have to worry that you didn’t say the right thing.”

— Cindy Sproles, Acquisitions Editor

How to Create a One-Sheet

Use a software program that is familiar to you. On non-Mac computers, you can use Microsoft Word or Publisher. For Mac fans, Pages works well. For photo editing, Canva and PicMonkey are great for adding text, editing, and resizing photos.

Keep your fonts readable—don’t use the Comic Sans font!—and don’t add anything that doesn’t belong. Your one-sheet not only reflects your book, but it reflects who you are as a writer.

My first one sheet was a disaster, but even so, I signed a contract three months after the conference. It’s important to remember that you and your ideas are the most important thing.

Do your best to make your one-sheet amazing, but at the end of the day, an editor or agent will work with you because they like your book idea and they like you.

“One sheets are fantastic resources. They help you remember what your book is about, when you get pitching jitters, and give agents and editors a great overview of your project.

— Hope Bolinger, Literary Agent

One-Sheet Resources:

Brew & Ink Podcast – Interbrews 9 – Cody Morehead

Brew & Ink Podcast – Interbrews 9 – Cody Morehead

What does an author – or any small business or artist – need to know about art design and marketing? Cody Morehead caught the graphic design bug a few years ago, and after learning from some major companies, he started his own business PubZoo to help writers, non-profits, and companies define their brand. But what does that mean? Listen to the great conversation with Cody about art design and marketing for authors.

Listen here:

In this episode:

How Cody got involved in graphic design and Serious Writer.

What is branding?

Why is branding important for an author or business?

What are some of the common mistakes authors or writers make with graphic design?

Why is listening and paying attention to the market important for marketing?

Why is it important to realize we sell who we are more than the product?

 

Links:

www.brewandink.com

www.mbmooney.com

www.facebook.com/brewandink

www.billhawkinswriter.com

www.codymorehead.com

www.facebook.com/pubzoocreative

www.facebook.com/mrcody501

www.instagram.com/codymorehead

www.instagram.com/pubzoocreative

 

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Brew & Ink Podcast – Interbrews 8 – Michelle Medlock Adams and Bethany Jett

Brew & Ink Podcast – Interbrews 8 – Michelle Medlock Adams and Bethany Jett

How can people be generous in an industry sometimes known for being super competitive and cutthroat? Not just generous but over generous? Authors Michelle Medlock Adams and Bethany Jett talk about their careers in writing, their friendship, and how partnership and generosity have increased their success and influence with things like Serious Writer and more.

Check it out below:

In this episode:

Michelle tells the story of how she got to this point in her career.

Bethany tells the story of her career.

How purpose and helping others should drive writing careers (and all of us!)

The importance of generosity and partnership in life and business.

The genesis and vision of Serious Writer.

How a bad proposal and a book contract led to a revolutionary approach to writing books that help people.

Links:

www.brewandink.com

www.mbmooney.com

www.facebook.com/brewandink

www.billhawkinswriter.com

www.almostanauthor.com

www.platlit.com

www.bethanyjett.com

www.michellemedlockadams.com

 

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Brew & Ink Podcast s2 ep2 – Flash Fiction Competition Round 2 – The Heist of Song

How does a writer get inspired for a new project? Listen as the Brew & Ink crew delve into the different solutions and struggles for a writer as they begin a new project.

Then the Flash Fiction Competition continues with Bill Hawkins and Evangeline Victoria Porter going head to head on The Heist of Song! Bill drew Historical Fiction and EV drew Horror. Check out their stories and vote for your favorite here on FB or on our website!

 

 

In this episode:

How do you choose the next project to begin?

Once you choose the next project, do you do research or just dive in?

How do music, movies, books, and other media help inspire you to write?

How do you overcome the overwhelming nature of bigger projects like a novel?

Bill Hawkins reads his historical fiction version of The Heist of Song

EV Porter reads her horror version of The Heist of Song

Go to the website or our Facebook page to vote for your favorite!

www.brewandink.com

www.facebook.com/brewandink

www.mbmooney.com

www.billhawkinswriter.com

www.seriouswriter.com/atlanta

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